UNREGISTERED Lay Theme
pictures from the recent exhibition of my phd research at 'hopscotch', research biennale 2023, copeland gallery, london
screenshots from my phd research, titled 'towards an uncausal practice of visual communication'
'soon, i began to sense that the computer screen i saw in front of me was somehow different from the screen i was used to seeing. the strangeness of it was subtle but undeniable.'
(charlotte lengersdorf, towards an uncausal practice of visual communication)
the research biennale 2023 website gives an insight into the research projects at the royal college of art, london
my phd research can be seen at 'hopscotch', rca research biennale 2023, 22-24 june, copeland gallery, peckham, london
workshop hochschule düsseldorf, master/bachelor kommunikationsdesign
speaker at atypi 2018, antwerp
(images by normanposselt.com)
langue trouvé(e) – language beyond semantic content
this project can be seen at the royal college of art show: the westworks, white city place, 195 wood lane, london w12 7fq; 23 june – 1 july, 12–6pm. closed 29 june 2018
language and limbs
ephemeral typing
encyclopedia as speculative narrative piece
tate christmas card 2017
how can we define the terms of language and text more openly? my performative typeface reveals textual and ornamental shapes on this year's tate christmas card. now on sale online and in the tate shops.
typeface 'mingle'
performative typeface
guest talk and workshop at kingston university 'fada' (faculty of art, design and architecture)
analogue sketches for asemic writing
joan miro once said 'i try to apply colours like words that shape poems, like notes that she music'. how could colour function as written language? where are the limitations of written language?
idea of a performative typeface
quick sketch for testing a typeface that can be performed by combining several shapes on the keyboard.
scores to perform letters with the performative typeface.
collaboratively performed typeface at the typographic singularity exhibition at the royal college of art in april 2017.
asemic characters composed with my performative typeface
performance within written language; when is a character a character and when is it an image?
gestural alphabet (please turn sound on)
experimental reading choreography together with barbara müller.
